Contest judge John H. Reid said, "Dawn Raymond has succeeded in the almost impossible. A frank, totally candid, personalized mood poem in which the writer dissects her own soul, is not only extremely difficult to write, but almost impossible to formulate in such a unique and arresting way that the reader's undivided attention is literally grabbed by the poet. In fact, Raymond's grip on the reader is so intense, it's impossible to be objective and move away. She doesn't let go. Most poems in this category fail, not only due to their overly familiar subject matter, but simply because the writer has been unable to come up with a different slant that throws a more disturbing, more gripping, more heartfelt light into the dark places of a human soul. Raymond succeeds where so many others have failed because she so skilfully draws upon a whole battery of poetic devices to hit the reader between the eyes."

Reid said, "Harrry Gilleland's 'The Old Salty Poems' belongs to a tradition that has almost died out—the character/narrative poem. Although easily the most popular genre of poetry in the 19th century, it was supplanted by Eliot, Spender, Pound and a whole host of their 20th century disciples. It has often been suggested that poetry would still be as popular and best-selling with the masses today, if mainstream verse had continued in the character/narrative vein. Certainly such a delightful, vastly entertaining throwback as 'The Old Salty Poems' lends a great deal of credence to this idea. I picture copies for sale at my local Borders and see crowds of customers picking up the book and marveling at the free-flowing skill and expertise with which Gilleland has brought such a charming tale to vibrant, poetic life."

Reid said, "A cleverly innovative poem in which Joseph Gorman cleverly interweaves 'anxiety' and 'disorder' onto the printed page, this is an unusual yet spell-binding mood piece at the opposite end of the spectrum to 'Ghosts'. Whereas Raymond's vision seems wholly subjective, Gorman has opted for a more objective, clinical approach—a sound choice in this particular instance because this view allows him more freedom, more 'color', more power!"

Reid said, "Isaac Asimov is generally credited as popularizing the idea of robots as potential household 'servants'; and it didn't take long before the idea of robots running amuck took hold. Oddly, while there are tens of thousands of short stories on this subject, there is very little poetry. Wolstan Brown has wittily and intriguingly remedied this deficiency in his adroitly crafted piece, 'Do Not Be Kind to Robots That Love Humans'. Sound advice!"